The use of colors in poetry

Do you remember, from your earliest days of education, how you used to select colors from the Crayola box to color inside the lines? Perhaps later, her elementary school teacher, to stimulate her imagination, asked her what a particular color looked, smelled, or tasted like.

Poets also use their colors to trigger their thinking in a similar way. Most of the time, colors can be used as symbols that imply intangibles or concepts.

Here is a short list of the implications of color in poetry during the last few centuries:

green = jealousy, rebirth, money

purple = royalty, culture, fantasy

pink = happiness

brown = earthy qualities

orange = curiosity, wisdom

gray = depression, defeat, monotony, boredom

gold-happiness

red = anger, danger, war, seduction, passion

black = sadness or death

white = purity but also death (implied of shroud)

blue = sadness

Apart from its symbolic and impressionistic use, the application of colors has been added to the visuals of the poems.
“The waves of the sea are green and wet,

But above where they die,

Arise others still vaster,

And those are brown and dry.”

By Robert Frost Sand dunes

The use of colors in poetry goes back a long way in written history. Roman and Greek poets, like poets of other races, used colors for their strong connections with emotions. For example, Homer used the color bronze to imply power, and in Roman poetry certain color combinations, especially purple and gold, hinted at royalty, while red and white signified conquest and other concepts. Only Virgil used more than 500 color words in The Aeneid.

“I myself gave him (Ulysses) a bronze sword and a beautiful purple cloak, double-lined, with a shirt reaching down to his feet, and sent him on board his ship with all the marks of honour.” Of The Odyssey – Book XIX

“And hardly its walls defend the Trojan troops:

The city is full of slaughter and fleets,

With a red deluge, their moats increase.”

Of The Aeneid – Chapter 10

Later, Dante vividly used colors to paint the picture of his Hell in the readers’ imaginations.

“On a yellow bag I saw blue

That he had the face and posture of a lion.

Proceeding then the current of my sight,

Another of them saw me, red as blood,

Show a goose whiter than butter.

And one, that with a blue and gravid sow

Blasoned had his little white bag, “

Of Hell, Canto XVII by Dante Alighieri

Shakespeare has also frequently used colors and also the word color itself by attaching it to other nouns to paint more dramatic word pictures.

“Mr Andrew

Alas, he is strong, and does indifferently well in a
flame-colored broth. Shall we start some reveals?”
From the Twelfth Night – Act 1, Scene III, by William Shakespeare

Over the last couple of centuries, the use of colors in poetry has become more subjective; although, the colors were also applied with their real identities.

“The merry Sphinx arose,

and he stooped no more on the stone;

She melted into a purple cloud,

she silvery in the moon;

She turned into a yellow flame;

She blossomed in red buds;”

By Ralph Waldo Emerson the sphinx

“Veiled as white as snow and dressed as a flame,

She is before you, who has been so long

filled your young heart with passion and affliction.”

Of Divine Comedy by Henry Wadsworth Longfellow

“Within the circuit of this laborious life

Moments of a blue tint come in,”

Of winter memories by Henry David Thoreau

“In winter, in my room,

i met a worm

Pink, straight and warm.”

By Emily Dickinson ‘In winter, in my room,’

So the next time you sit at your desk with your pen or in front of your computer writing poetry, think about using color. Maybe you can add another dimension to your use.

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